Selected poetry of Alexander Pope


When wise Ulysses, from his native coast
Long kept by wars, and long by tempests toss’d,
Arrived at last, poor, old, disguised, alone,
To all his friends, and ev’n his Queen unknown,
Changed as he was, with age, and toils, and cares,
Furrow’d his rev’rend face, and white his hairs,
In his own palace forc’d to ask his bread,
Scorn’d by those slaves his former bounty fed,
Forgot of all his own domestic crew,
The faithful Dog alone his rightful master knew!

Unfed, unhous’d, neglected, on the clay
Like an old servant now cashier’d, he lay;
Touch’d with resentment of ungrateful man,
And longing to behold his ancient lord again.
Him when he saw he rose, and crawl’d to meet,
(‘Twas all he could) and fawn’d and kiss’d his feet,
Seiz’d with dumb joy; then falling by his side,
Own’d his returning lord, look’d up, and died!

Essay on Criticism

‘Tis hard to say, if greater Want of Skill

Appear in Writing or in Judging ill,

But, of the two, less dang’rous is th’ Offence,

To tire our Patience, than mis-lead our Sense:

Some few in that, but Numbers err in this,

Ten Censure wrong for one who Writes amiss;

A Fool might once himself alone expose,

Now One in Verse makes many more in Prose.
‘Tis with our Judgments as our Watches, none

Go just alike, yet each believes his own.

In Poets as true Genius is but rare,

True Taste as seldom is the Critick’s Share;

Both must alike from Heav’n derive their Light,

These born to Judge, as well as those to Write.

Let such teach others who themselves excell,

And censure freely who have written well.

Authors are partial to their Wit, ’tis true,

But are not Criticks to their Judgment too?
Yet if we look more closely, we shall find

Most have the Seeds of Judgment in their Mind;

Nature affords at least a glimm’ring Light;

The Lines, tho’ touch’d but faintly, are drawn right.

But as the slightest Sketch, if justly trac’d,

Is by ill Colouring but the more disgrac’d,

So by false Learning is good Sense defac’d.

Some are bewilder’d in the Maze of Schools,

And some made Coxcombs Nature meant but Fools.

In search of Wit these lose their common Sense,

And then turn Criticks in their own Defence.

Each burns alike, who can, or cannot write,

Or with a Rival’s or an Eunuch’s spite.

All Fools have still an Itching to deride,

And fain wou’d be upon the Laughing Side;

If Maevius Scribble in Apollo’s spight,

There are, who judge still worse than he can write
Some have at first for Wits, then Poets past,

Turn’d Criticks next, and prov’d plain Fools at last;

Some neither can for Wits nor Criticks pass,

As heavy Mules are neither Horse or Ass.

Those half-learn’d Witlings, num’rous in our Isle,

As half-form’d Insects on the Banks of Nile:

Unfinish’d Things, one knows now what to call,

Their Generation’s so equivocal:

To tell ’em, wou’d a hundred Tongues require,

Or one vain Wit’s, that might a hundred tire.
But you who seek to give and merit Fame,

And justly bear a Critick’s noble Name,

Be sure your self and your own Reach to know.

How far your Genius, Taste, and Learning go;

Launch not beyond your Depth, but be discreet,

And mark that Point where Sense and Dulness meet.
Nature to all things fix’d the Limits fit,

And wisely curb’d proud Man’s pretending Wit:

As on the Land while here the Ocean gains,

In other Parts it leaves wide sandy Plains;

Thus in the Soul while Memory prevails,

The solid Pow’r of Understanding fails;

Where Beams of warm Imagination play,

The Memory’s soft Figures melt away.

One Science only will one Genius fit;

So vast is Art, so narrow Human Wit;

Not only bounded to peculiar Arts,

But oft in those, confin’d to single Parts.

Like Kings we lose the Conquests gain’d before,

By vain Ambition still to make them more:

Each might his sev’ral Province well command,

Wou’d all but stoop to what they understand.
First follow NATURE, and your Judgment frame

By her just Standard, which is still the same:

Unerring Nature, still divinely bright,

One clear, unchang’d and Universal Light,

Life, Force, and Beauty, must to all impart,

At once the Source, and End, and Test of Art

Art from that Fund each just Supply provides,

Works without Show, and without Pomp presides:

In some fair Body thus th’ informing Soul

With Spirits feeds, with Vigour fills the whole,

Each Motion guides, and ev’ry Nerve sustains;

It self unseen, but in th’ Effects, remains.

Some, to whom Heav’n in Wit has been profuse.

Want as much more, to turn it to its use,

For Wit and Judgment often are at strife,

Tho’ meant each other’s Aid, like Man and Wife.

‘Tis more to guide than spur the Muse’s Steed;

Restrain his Fury, than provoke his Speed;

The winged Courser, like a gen’rous Horse,

Shows most true Mettle when you check his Course.
Those RULES of old discover’d, not devis’d,

Are Nature still, but Nature Methodiz’d;

Nature, like Liberty, is but restrain’d

By the same Laws which first herself ordain’d.
Hear how learn’d Greece her useful Rules indites,

When to repress, and when indulge our Flights:

High on Parnassus’ Top her Sons she show’d,

And pointed out those arduous Paths they trod,

Held from afar, aloft, th’ Immortal Prize,

And urg’d the rest by equal Steps to rise;

Just Precepts thus from great Examples giv’n,

She drew from them what they deriv’d from Heav’n

The gen’rous Critick fann’d the Poet’s Fire,

And taught the World, with Reason to Admire.

Then Criticism the Muse’s Handmaid prov’d,

To dress her Charms, and make her more belov’d;

But following Wits from that Intention stray’d;

Who cou’d not win the Mistress, woo’d the Maid;

Against the Poets their own Arms they turn’d,

Sure to hate most the Men from whom they learn’d

So modern Pothecaries, taught the Art

By Doctor’s Bills to play the Doctor’s Part,

Bold in the Practice of mistaken Rules,

Prescribe, apply, and call their Masters Fools.

Some on the Leaves of ancient Authors prey,

Nor Time nor Moths e’er spoil’d so much as they:

Some dryly plain, without Invention’s Aid,

Write dull Receits how Poems may be made:

These leave the Sense, their Learning to display,

And theme explain the Meaning quite away
You then whose Judgment the right Course wou’d steer,

Know well each ANCIENT’s proper Character,

His Fable, Subject, Scope in ev’ry Page,

Religion, Country, Genius of his Age:

Without all these at once before your Eyes,

Cavil you may, but never Criticize.

Be Homer’s Works your Study, and Delight,

Read them by Day, and meditate by Night,

Thence form your Judgment, thence your Maxims bring,

And trace the Muses upward to their Spring;

Still with It self compar’d, his Text peruse;

And let your Comment be the Mantuan Muse.
When first young Maro in his boundless Mind

A Work t’ outlast Immortal Rome design’d,

Perhaps he seem’d above the Critick’s Law,

And but from Nature’s Fountains scorn’d to draw:

But when t’examine ev’ry Part he came,

Nature and Homer were, he found, the same:

Convinc’d, amaz’d, he checks the bold Design,

And Rules as strict his labour’d Work confine,

As if the Stagyrite o’er looked each Line.

Learn hence for Ancient Rules a just Esteem;

To copy Nature is to copy Them.
Some Beauties yet, no Precepts can declare,

For there’s a Happiness as well as Care.

Musick resembles Poetry, in each

Are nameless Graces which no Methods teach,

And which a Master-Hand alone can reach.

If, where the Rules not far enough extend,

(Since Rules were made but to promote their End)

Some Lucky LICENCE answers to the full

Th’ Intent propos’d, that Licence is a Rule.

Thus Pegasus, a nearer way to take,

May boldly deviate from the common Track.

Great Wits sometimes may gloriously offend,

And rise to Faults true Criticks dare not mend;

From vulgar Bounds with brave Disorder part,

And snatch a Grace beyond the Reach of Art,

Which, without passing thro’ the Judgment, gains

The Heart, and all its End at once attains.

In Prospects, thus, some Objects please our Eyes,

Which out of Nature’s common Order rise,

The shapeless Rock, or hanging Precipice.

But tho’ the Ancients thus their Rules invade,

(As Kings dispense with Laws Themselves have made)

Moderns, beware! Or if you must offend

Against the Precept, ne’er transgress its End,

Let it be seldom, and compell’d by Need,

And have, at least, Their Precedent to plead.

The Critick else proceeds without Remorse,

Seizes your Fame, and puts his Laws in force.
I know there are, to whose presumptuous Thoughts

Those Freer Beauties, ev’n in Them, seem Faults:

Some Figures monstrous and mis-shap’d appear,

Consider’d singly, or beheld too near,

Which, but proportion’d to their Light, or Place,

Due Distance reconciles to Form and Grace.

A prudent Chief not always must display

His Pow’rs in equal Ranks, and fair Array,

But with th’ Occasion and the Place comply,

Conceal his Force, nay seem sometimes to Fly.

Those oft are Stratagems which Errors seem,

Nor is it Homer Nods, but We that Dream.
Still green with Bays each ancient Altar stands,

Above the reach of Sacrilegious Hands,

Secure from Flames, from Envy’s fiercer Rage,

Destructive War, and all-involving Age.

See, from each Clime the Learn’d their Incense bring;

Hear, in all Tongues consenting Paeans ring!

In Praise so just, let ev’ry Voice be join’d,

And fill the Gen’ral Chorus of Mankind!

Hail Bards Triumphant! born in happier Days;

Immortal Heirs of Universal Praise!

Whose Honours with Increase of Ages grow,

As streams roll down, enlarging as they flow!

Nations unborn your mighty Names shall sound,

And Worlds applaud that must not yet be found!

Oh may some Spark of your Coelestial Fire

The last, the meanest of your Sons inspire,

(That on weak Wings, from far, pursues your Flights;

Glows while he reads, but trembles as he writes)

To teach vain Wits a Science little known,

T’ admire Superior Sense, and doubt their own!

Of all the Causes which conspire to blind

Man’s erring Judgment, and misguide the Mind,

What the weak Head with strongest Byass rules,

Is Pride, the never-failing Vice of Fools.

Whatever Nature has in Worth deny’d,

She gives in large Recruits of needful Pride;

For as in Bodies, thus in Souls, we find

What wants in Blood and Spirits, swell’d with Wind;

Pride, where Wit fails, steps in to our Defence,

And fills up all the mighty Void of Sense!

If once right Reason drives that Cloud away,

Truth breaks upon us with resistless Day;

Trust not your self; but your Defects to know,

Make use of ev’ry Friend–and ev’ry Foe.
A little Learning is a dang’rous Thing;

Drink deep, or taste not the Pierian Spring:

There shallow Draughts intoxicate the Brain,

And drinking largely sobers us again.

Fir’d at first Sight with what the Muse imparts,

In fearless Youth we tempt the Heights of Arts,

While from the bounded Level of our Mind,

Short Views we take, nor see the lengths behind,

But more advanc’d, behold with strange Surprize

New, distant Scenes of endless Science rise!

So pleas’d at first, the towring Alps we try,

Mount o’er the Vales, and seem to tread the Sky;

Th’ Eternal Snows appear already past,

And the first Clouds and Mountains seem the last:

But those attain’d, we tremble to survey

The growing Labours of the lengthen’d Way,

Th’ increasing Prospect tires our wandering Eyes,

Hills peep o’er Hills, and Alps on Alps arise!
A perfect Judge will read each Work of Wit

With the same Spirit that its Author writ,

Survey the Whole, nor seek slight Faults to find,

Where Nature moves, and Rapture warms the Mind;

Nor lose, for that malignant dull Delight,

The gen’rous Pleasure to be charm’d with Wit.

But in such Lays as neither ebb, nor flow,

Correctly cold, and regularly low,

That shunning Faults, one quiet Tenour keep;

We cannot blame indeed–but we may sleep.

In Wit, as Nature, what affects our Hearts

Is nor th’ Exactness of peculiar Parts;

‘Tis not a Lip, or Eye, we Beauty call,

But the joint Force and full Result of all.

Thus when we view some well-proportion’d Dome,

The World’s just Wonder, and ev’n thine O Rome!)

No single Parts unequally surprize;

All comes united to th’ admiring Eyes;

No monstrous Height, or Breadth, or Length appear;

The Whole at once is Bold, and Regular.
Whoever thinks a faultless Piece to see,

Thinks what ne’er was, nor is, nor e’er shall be.

In ev’ry Work regard the Writer’s End,

Since none can compass more than they Intend;

And if the Means be just, the Conduct true,

Applause, in spite of trivial Faults, is due.

As Men of Breeding, sometimes Men of Wit,

T’ avoid great Errors, must the less commit,

Neglect the Rules each Verbal Critick lays,

For not to know some Trifles, is a Praise.

Most Criticks, fond of some subservient Art,

Still make the Whole depend upon a Part,

They talk of Principles, but Notions prize,

And All to one lov’d Folly Sacrifice.
Once on a time, La Mancha’s Knight, they say,

A certain Bard encountring on the Way,

Discours’d in Terms as just, with Looks as Sage,

As e’er cou’d Dennis, of the Grecian Stage;

Concluding all were desp’rate Sots and Fools,

Who durst depart from Aristotle’s Rules.

Our Author, happy in a Judge so nice,

Produc’d his Play, and beg’d the Knight’s Advice,

Made him observe the Subject and the Plot,

The Manners, Passions, Unities, what not?

All which, exact to Rule were brought about,

Were but a Combate in the Lists left out.

What! Leave the Combate out? Exclaims the Knight;

Yes, or we must renounce the Stagyrite.

Not so by Heav’n (he answers in a Rage)

Knights, Squires, and Steeds, must enter on the Stage.

So vast a Throng the Stage can ne’er contain.

Then build a New, or act it in a Plain.
Thus Criticks, of less Judgment than Caprice,

Curious, not Knowing, not exact, but nice,

Form short Ideas; and offend in Arts

(As most in Manners) by a Love to Parts.
Some to Conceit alone their Taste confine,

And glitt’ring Thoughts struck out at ev’ry Line;

Pleas’d with a Work where nothing’s just or fit;

One glaring Chaos and wild Heap of Wit;

Poets like Painters, thus, unskill’d to trace

The naked Nature and the living Grace,

With Gold and Jewels cover ev’ry Part,

And hide with Ornaments their Want of Art.

True Wit is Nature to Advantage drest,

What oft was Thought, but ne’er so well Exprest,

Something, whose Truth convinc’d at Sight we find,

That gives us back the Image of our Mind:

As Shades more sweetly recommend the Light,

So modest Plainness sets off sprightly Wit:

For Works may have more Wit than does ’em good,

As Bodies perish through Excess of Blood.
Others for Language all their Care express,

And value Books, as Women Men, for Dress:

Their Praise is still–The Stile is excellent:

The Sense, they humbly take upon Content.

Words are like Leaves; and where they most abound,

Much Fruit of Sense beneath is rarely found.

False Eloquence, like the Prismatic Glass,

Its gawdy Colours spreads on ev’ry place;

The Face of Nature was no more Survey,

All glares alike, without Distinction gay:

But true Expression, like th’ unchanging Sun,

Clears, and improves whate’er it shines upon,

It gilds all Objects, but it alters none.

Expression is the Dress of Thought, and still

Appears more decent as more suitable;

A vile Conceit in pompous Words exprest,

Is like a Clown in regal Purple drest;

For diff’rent Styles with diff’rent Subjects sort,

As several Garbs with Country, Town, and Court.

Some by Old Words to Fame have made Pretence;

Ancients in Phrase, meer Moderns in their Sense!

Such labour’d Nothings, in so strange a Style,

Amaze th’unlearn’d, and make the Learned Smile.

Unlucky, as Fungoso in the Play,

These Sparks with aukward Vanity display

What the Fine Gentleman wore Yesterday!

And but so mimick ancient Wits at best,

As Apes our Grandsires in their Doublets treat.

In Words, as Fashions, the same Rule will hold;

Alike Fantastick, if too New, or Old;

Be not the first by whom the New are try’d,

Nor yet the last to lay the Old aside.
But most by Numbers judge a Poet’s Song,

And smooth or rough, with them, is right or wrong;

In the bright Muse tho’ thousand Charms conspire,

Her Voice is all these tuneful Fools admire,

Who haunt Parnassus but to please their Ear,

Not mend their Minds; as some to Church repair,

Not for the Doctrine, but the Musick there.

These Equal Syllables alone require,

Tho’ oft the Ear the open Vowels tire,

While Expletives their feeble Aid do join,

And ten low Words oft creep in one dull Line,

While they ring round the same unvary’d Chimes,

With sure Returns of still expected Rhymes.

Where-e’er you find the cooling Western Breeze,

In the next Line, it whispers thro’ the Trees;

If Chrystal Streams with pleasing Murmurs creep,

The Reader’s threaten’d (not in vain) with Sleep.

Then, at the last, and only Couplet fraught

With some unmeaning Thing they call a Thought,

A needless Alexandrine ends the Song,

That like a wounded Snake, drags its slow length along.

Leave such to tune their own dull Rhimes, and know

What’s roundly smooth, or languishingly slow;

And praise the Easie Vigor of a Line,

Where Denham’s Strength, and Waller’s Sweetness join.

True Ease in Writing comes from Art, not Chance,

As those move easiest who have learn’d to dance,

‘Tis not enough no Harshness gives Offence,

The Sound must seem an Eccho to the Sense.

Soft is the Strain when Zephyr gently blows,

And the smooth Stream in smoother Numbers flows;

But when loud Surges lash the sounding Shore,

The hoarse, rough Verse shou’d like the Torrent roar.

When Ajax strives, some Rocks’ vast Weight to throw,

The Line too labours, and the Words move slow;

Not so, when swift Camilla scours the Plain,

Flies o’er th’unbending Corn, and skims along the Main.

Hear how Timotheus’ vary’d Lays surprize,

And bid Alternate Passions fall and rise!

While, at each Change, the Son of Lybian Jove

Now burns with Glory, and then melts with Love;

Now his fierce Eyes with sparkling Fury glow;

Now Sighs steal out, and Tears begin to flow:

Persians and Greeks like Turns of Nature found,

And the World’s Victor stood subdu’d by Sound!

The Pow’rs of Musick all our Hearts allow;

And what Timotheus was, is Dryden now.
Avoid Extreams; and shun the Fault of such,

Who still are pleas’d too little, or too much.

At ev’ry Trifle scorn to take Offence,

That always shows Great Pride, or Little Sense;

Those Heads as Stomachs are not sure the best

Which nauseate all, and nothing can digest.

Yet let not each gay Turn thy Rapture move,

For Fools Admire, but Men of Sense Approve;

As things seem large which we thro’ Mists descry,

Dulness is ever apt to Magnify.
Some foreign Writers, some our own despise;

The Ancients only, or the Moderns prize:

(Thus Wit, like Faith by each Man is apply’d

To one small Sect, and All are damn’d beside.)

Meanly they seek the Blessing to confine,

And force that Sun but on a Part to Shine;

Which not alone the Southern Wit sublimes,

But ripens Spirits in cold Northern Climes;

Which from the first has shone on Ages past,

Enlights the present, and shall warm the last:

(Tho’ each may feel Increases and Decays,

And see now clearer and now darker Days)

Regard not then if Wit be Old or New,

But blame the False, and value still the True.
Some ne’er advance a Judgment of their own,

But catch the spreading Notion of the Town;

They reason and conclude by Precedent,

And own stale Nonsense which they ne’er invent.

Some judge of Authors’ Names, not Works, and then

Nor praise nor blame the Writings, but the Men.

Of all this Servile Herd the worst is He

That in proud Dulness joins with Quality,

A constant Critick at the Great-man’s Board,

To fetch and carry Nonsense for my Lord.

What woful stuff this Madrigal wou’d be,

To some starv’d Hackny Sonneteer, or me?

But let a Lord once own the happy Lines,

How the Wit brightens! How the Style refines!

Before his sacred Name flies ev’ry Fault,

And each exalted Stanza teems with Thought!
The Vulgar thus through Imitation err;

As oft the Learn’d by being Singular;

So much they scorn the Crowd, that if the Throng

By Chance go right, they purposely go wrong;

So Schismatics the plain Believers quit,

And are but damn’d for having too much Wit.
Some praise at Morning what they blame at Night;

But always think the last Opinion right.

A Muse by these is like a Mistress us’d,

This hour she’s idoliz’d, the next abus’d,

While their weak Heads, like Towns unfortify’d,

‘Twixt Sense and Nonsense daily change their Side.

Ask them the Cause; They’re wiser still, they say;

And still to Morrow’s wiser than to Day.

We think our Fathers Fools, so wise we grow;

Our wiser Sons, no doubt, will think us so.

Once School-Divines this zealous Isle o’erspread;

Who knew most Sentences was deepest read;

Faith, Gospel, All, seem’d made to be disputed,

And none had Sense enough to be Confuted.

Scotists and Thomists, now, in Peace remain,

Amidst their kindred Cobwebs in Duck-Lane.

If Faith it self has diff’rent Dresses worn,

What wonder Modes in Wit shou’d take their Turn?

Oft, leaving what is Natural and fit,

The current Folly proves the ready Wit,

And Authors think their Reputation safe,

Which lives as long as Fools are pleas’d to Laugh.
Some valuing those of their own, Side or Mind,

Still make themselves the measure of Mankind;

Fondly we think we honour Merit then,

When we but praise Our selves in Other Men.

Parties in Wit attend on those of State,

And publick Faction doubles private Hate.

Pride, Malice, Folly, against Dryden rose,

In various Shapes of Parsons, Criticks, Beaus;

But Sense surviv’d, when merry Jests were past;

For rising Merit will buoy up at last.

Might he return, and bless once more our Eyes,

New Blackmores and new Milbourns must arise;

Nay shou’d great Homer lift his awful Head,

Zoilus again would start up from the Dead.

Envy will Merit as its Shade pursue,

But like a Shadow, proves the Substance true;

For envy’d Wit, like Sol Eclips’d, makes known

Th’ opposing Body’s Grossness, not its own.

When first that Sun too powerful Beams displays,

It draws up Vapours which obscure its Rays;

But ev’n those Clouds at last adorn its Way,

Reflect new Glories, and augment the Day.
Be thou the first true Merit to befriend;

His Praise is lost, who stays till All commend;

Short is the Date, alas, of Modern Rhymes;

And ’tis but just to let ’em live betimes.

No longer now that Golden Age appears,

When Patriarch-Wits surviv’d thousand Years;

Now Length of Fame (our second Life) is lost,

And bare Threescore is all ev’n That can boast:

Our Sons their Fathers’ failing language see,

And such as Chaucer is, shall Dryden be.

So when the faithful Pencil has design’d

Some bright Idea of the Master’s Mind,

Where a new World leaps out at his command,

And ready Nature waits upon his Hand;

When the ripe Colours soften and unite,

And sweetly melt into just Shade and Light,

When mellowing Years their full Perfection give,

And each Bold Figure just begins to Live;

The treach’rous Colours the fair Art betray,

And all the bright Creation fades away!
Unhappy Wit, like most mistaken Things,

Attones not for that Envy which it brings.

In Youth alone its empty Praise we boast,

But soon the Short-liv’d Vanity is lost!

Like some fair Flow’r the early Spring supplies,

That gaily Blooms, but ev’n in blooming Dies.

What is this Wit which must our Cares employ?

The Owner’s Wife, that other Men enjoy,

Then most our Trouble still when most admir’d,

And still the more we give, the more requir’d;

Whose Fame with Pains we guard, but lose with Ease,

Sure some to vex, but never all to please;

‘Tis what the Vicious fear, the Virtuous shun;

By Fools ’tis hated, and by Knaves undone!
If Wit so much from Ign’rance undergo,

Ah let not Learning too commence its Foe!

Of old, those met Rewards who cou’d excel,

And such were Prais’d who but endeavour’d well:

Tho’ Triumphs were to Gen’rals only due,

Crowns were reserv’d to grace the Soldiers too.

Now, they who reached Parnassus’ lofty Crown,

Employ their Pains to spurn some others down;

And while Self-Love each jealous Writer rules,

Contending Wits becomes the Sport of Fools:

But still the Worst with most Regret commend,

For each Ill Author is as bad a Friend.

To what base Ends, and by what abject Ways,

Are Mortals urg’d thro’ Sacred Lust of praise!

Ah ne’er so dire a Thirst of Glory boast,

Nor in the Critick let the Man be lost!

Good-Nature and Good-Sense must ever join;

To err is Humane; to Forgive, Divine.
But if in Noble Minds some Dregs remain,

Not yet purg’d off, of Spleen and sow’r Disdain,

Discharge that Rage on more Provoking Crimes,

Nor fear a Dearth in these Flagitious Times.

No Pardon vile Obscenity should find,

Tho’ Wit and Art conspire to move your Mind;

But Dulness with Obscenity must prove

As Shameful sure as Importance in Love.

In the fat Age of Pleasure, Wealth, and Ease,

Sprung the rank Weed, and thriv’d with large Increase;

When Love was all an easie Monarch’s Care;

Seldom at Council, never in a War:

Jilts rul’d the State, and Statesmen Farces writ;

Nay Wits had Pensions, and young Lords had Wit:

The Fair sate panting at a Courtier’s Play,

And not a Mask went un-improv’d away:

The modest Fan was liked up no more,

And Virgins smil’d at what they blush’d before–

The following Licence of a Foreign Reign

Did all the Dregs of bold Socinus drain;

Then Unbelieving Priests reform’d the Nation,

And taught more Pleasant Methods of Salvation;

Where Heav’ns Free Subjects might their Rights dispute,

Lest God himself shou’d seem too Absolute.

Pulpits their Sacred Satire learn’d to spare,

And Vice admir’d to find a Flatt’rer there!

Encourag’d thus, Witt’s Titans brav’d the Skies,

And the Press groan’d with Licenc’d Blasphemies–

These Monsters, Criticks! with your Darts engage,

Here point your Thunder, and exhaust your Rage!

Yet shun their Fault, who, Scandalously nice,

Will needs mistake an Author into Vice;

All seems Infected that th’ Infected spy,

As all looks yellow to the Jaundic’d Eye.
LEARN then what MORALS Criticks ought to show,

For ’tis but half a Judge’s Task, to Know.

‘Tis not enough, Taste, Judgment, Learning, join;

In all you speak, let Truth and Candor shine:

That not alone what to your Sense is due,

All may allow; but seek your Friendship too.
Be silent always when you doubt your Sense;

And speak, tho’ sure, with seeming Diffidence:

Some positive persisting Fops we know,

Who, if once wrong, will needs be always so;

But you, with Pleasure own your Errors past,

An make each Day a Critick on the last.
‘Tis not enough your Counsel still be true,

Blunt Truths more Mischief than nice Falsehood do;

Men must be taught as if you taught them not;

And Things unknown propos’d as Things forgot:

Without Good Breeding, Truth is disapprov’d;

That only makes Superior Sense belov’d.
Be Niggards of Advice on no Pretence;

For the worst Avarice is that of Sense:

With mean Complacence ne’er betray your Trust,

Nor be so Civil as to prove Unjust;

Fear not the Anger of the Wise to raise;

Those best can bear Reproof, who merit Praise.
‘Twere well, might Criticks still this Freedom take;

But Appius reddens at each Word you speak,

And stares, Tremendous! with a threatning Eye

Like some fierce Tyrant in Old Tapestry!

Fear most to tax an Honourable Fool,

Whose Right it is, uncensur’d to be dull;

Such without Wit are Poets when they please.

As without Learning they can take Degrees.

Leave dang’rous Truths to unsuccessful Satyrs,

And Flattery to fulsome Dedicators,

Whom, when they Praise, the World believes no more,

Than when they promise to give Scribling o’er.

‘Tis best sometimes your Censure to restrain,

And charitably let the Dull be vain:

Your Silence there is better than your Spite,

For who can rail so long as they can write?

Still humming on, their drowzy Course they keep,

And lash’d so long, like Tops, are lash’d asleep.

False Steps but help them to renew the Race,

As after Stumbling, Jades will mend their Pace.

What Crouds of these, impenitently bold,

In Sounds and jingling Syllables grown old,

Still run on Poets in a raging Vein,

Ev’n to the Dregs and Squeezings of the Brain;

Strain out the last, dull droppings of their Sense,

And Rhyme with all the Rage of Impotence!
Such shameless Bards we have; and yet ’tis true,

There are as mad, abandon’d Criticks too.

The Bookful Blockhead, ignorantly read,

With Loads of Learned Lumber in his Head,

With his own Tongue still edifies his Ears,

And always List’ning to Himself appears.

All Books he reads, and all he reads assails,

From Dryden’s Fables down to Durfey’s Tales.

With him, most Authors steal their Works, or buy;

Garth did not write his own Dispensary.

Name a new Play, and he’s the Poet’s Friend,

Nay show’d his Faults–but when wou’d Poets mend?

No Place so Sacred from such Fops is barr’d,

Nor is Paul’s Church more safe than Paul’s Church-yard:

Nay, fly to Altars; there they’ll talk you dead;

For Fools rush in where Angels fear to tread.

Distrustful Sense with modest Caution speaks;

It still looks home, and short Excursions makes;

But ratling Nonsense in full Vollies breaks;

And never shock’d, and never turn’d aside,

Bursts out, resistless, with a thundering Tyde!
But where’s the Man, who Counsel can bestow,

Still pleas’d to teach, and not proud to know?

Unbiass’d, or by Favour or by Spite;

Not dully prepossest, nor blindly right;

Tho’ Learn’d well-bred; and tho’ well-bred, sincere;

Modestly bold, and Humanly severe?

Who to a Friend his Faults can freely show,

And gladly praise the Merit of a Foe?

Blest with a Taste exact, yet unconfin’d;

A Knowledge both of Books and Humankind;

Gen’rous Converse; a Sound exempt from Pride;

And Love to Praise, with Reason on his Side?
Such once were Criticks, such the Happy Few,

Athens and Rome in better Ages knew.

The mighty Stagyrite first left the Shore,

Spread all his Sails, and durst the Deeps explore;

He steer’d securely, and discover’d far,

Led by the Light of the Maeonian Star.

Poets, a Race long unconfin’d and free,

Still fond and proud of Savage Liberty,

Receiv’d his Laws, and stood convinc’d ’twas fit

Who conquer’d Nature, shou’d preside o’er Wit.
Horace still charms with graceful Negligence,

And without Method talks us into Sense,

Will like a Friend familarly convey

The truest Notions in the easiest way.

He, who Supream in Judgment, as in Wit,

Might boldly censure, as he boldly writ,

Yet judg’d with Coolness tho’ he sung with Fire;

His Precepts teach but what his Works inspire.

Our Criticks take a contrary Extream,

They judge with Fury, but they write with Fle’me:

Nor suffers Horace more in wrong Translations

By Wits, than Criticks in as wrong Quotations.
See Dionysius Homer’s Thoughts refine,

And call new Beauties forth from ev’ry Line!
Fancy and Art in gay Petronius please,

The Scholar’s Learning, with the Courtier’s Ease.
In grave Quintilian’s copious Work we find

The justest Rules, and clearest Method join’d;

Thus useful Arms in Magazines we place,

All rang’d in Order, and dispos’d with Grace,

But less to please the Eye, than arm the Hand,

Still fit for Use, and ready at Command.
Thee, bold Longinus! all the Nine inspire,

And bless their Critick with a Poet’s Fire.

An ardent Judge, who Zealous in his Trust,

With Warmth gives Sentence, yet is always Just;

Whose own Example strengthens all his Laws,

And Is himself that great Sublime he draws.
Thus long succeeding Criticks justly reign’d,

Licence repress’d, and useful Laws ordain’d;

Learning and Rome alike in Empire grew,

And Arts still follow’d where her Eagles flew;

From the same Foes, at last, both felt their Doom,

And the same Age saw Learning fall, and Rome.

With Tyranny, then Superstition join’d,

As that the Body, this enslav’d the Mind;

Much was Believ’d, but little understood,

And to be dull was constru’d to be good;

A second Deluge Learning thus o’er-run,

And the Monks finish’d what the Goths begun.
At length, Erasmus, that great, injur’d Name,

(The Glory of the Priesthood, and the Shame!)

Stemm’d the wild Torrent of a barb’rous Age.

And drove those Holy Vandals off the Stage.
But see! each Muse, in Leo’s Golden Days,

Starts from her Trance, and trims her wither’d Bays!

Rome’s ancient Genius, o’er its Ruins spread,

Shakes off the Dust, and rears his rev’rend Head!

Then Sculpture and her Sister-Arts revive;

Stones leap’d to Form, and Rocks began to live;

With sweeter Notes each rising Temple rung;

A Raphael painted, and a Vida sung!

Immortal Vida! on whose honour’d Brow

The Poet’s Bays and Critick’s Ivy grow:

Cremona now shall ever boast thy Name,

As next in Place to Mantua, next in Fame!
But soon by Impious Arms from Latium chas’d,

Their ancient Bounds the banish’d Muses past:

Thence Arts o’er all the Northern World advance,

But Critic Learning flourish’d most in France.

The Rules, a Nation born to serve, obeys,

And Boileau still in Right of Horace sways.

But we, brave Britons, Foreign Laws despis’d,

And kept unconquer’d and unciviliz’d,

Fierce for the Liberties of Wit, and bold,

We still defy’d the Romans as of old.

Yet some there were, among the sounder Few

Of those who less presum’d, and better knew,

Who durst assert the juster Ancient Cause,

And here restor’d Wit’s Fundamental Laws.

Such was the Muse, whose Rules and Practice tell,

Nature’s chief Master-piece is writing well.

Such was Roscomon–not more learn’d than good,

With Manners gen’rous as his Noble Blood;

To him the Wit of Greece and Rome was known,

And ev’ry Author’s Merit, but his own.

Such late was Walsh,–the Muse’s Judge and Friend,

Who justly knew to blame or to commend;

To Failings mild, but zealous for Desert;

The clearest Head, and the sincerest Heart.

This humble Praise, lamented Shade! receive,

This Praise at least a grateful Muse may give!

The Muse, whose early Voice you taught to Sing,

Prescrib’d her Heights, and prun’d her tender Wing,

(Her Guide now lost) no more attempts to rise,

But in low Numbers short Excursions tries:

Content, if hence th’ Unlearned their Wants may view,

The Learn’d reflect on what before they knew:

Careless of Censure, not too fond of Fame,

Still pleas’d to praise, yet not afraid to blame,

Averse alike to Flatter, or Offend,

Not free from Faults, nor yet too vain to mend.

Eloisa and Abelard

In these deep solitudes and awful cells,

Where heav’nly-pensive contemplation dwells,

And ever-musing melancholy reigns;

What means this tumult in a vestal’s veins?

Why rove my thoughts beyond this last retreat?

Why feels my heart its long-forgotten heat?

Yet, yet I love!–From Abelard it came,

And Eloisa yet must kiss the name.
Dear fatal name! rest ever unreveal’d,

Nor pass these lips in holy silence seal’d.

Hide it, my heart, within that close disguise,

Where mix’d with God’s, his lov’d idea lies:

O write it not, my hand–the name appears

Already written–wash it out, my tears!

In vain lost Eloisa weeps and prays,

Her heart still dictates, and her hand obeys.
Relentless walls! whose darksome round contains

Repentant sighs, and voluntary pains:

Ye rugged rocks! which holy knees have worn;

Ye grots and caverns shagg’d with horrid thorn!

Shrines! where their vigils pale-ey’d virgins keep,

And pitying saints, whose statues learn to weep!

Though cold like you, unmov’d, and silent grown,

I have not yet forgot myself to stone.

All is not Heav’n’s while Abelard has part,

Still rebel nature holds out half my heart;

Nor pray’rs nor fasts its stubborn pulse restrain,

Nor tears, for ages, taught to flow in vain.
Soon as thy letters trembling I unclose,

That well-known name awakens all my woes.

Oh name for ever sad! for ever dear!

Still breath’d in sighs, still usher’d with a tear.

I tremble too, where’er my own I find,

Some dire misfortune follows close behind.

Line after line my gushing eyes o’erflow,

Led through a sad variety of woe:

Now warm in love, now with’ring in thy bloom,

Lost in a convent’s solitary gloom!

There stern religion quench’d th’ unwilling flame,

There died the best of passions, love and fame.
Yet write, oh write me all, that I may join

Griefs to thy griefs, and echo sighs to thine.

Nor foes nor fortune take this pow’r away;

And is my Abelard less kind than they?

Tears still are mine, and those I need not spare,

Love but demands what else were shed in pray’r;

No happier task these faded eyes pursue;

To read and weep is all they now can do.
Then share thy pain, allow that sad relief;

Ah, more than share it! give me all thy grief.

Heav’n first taught letters for some wretch’s aid,

Some banish’d lover, or some captive maid;

They live, they speak, they breathe what love inspires,

Warm from the soul, and faithful to its fires,

The virgin’s wish without her fears impart,

Excuse the blush, and pour out all the heart,

Speed the soft intercourse from soul to soul,

And waft a sigh from Indus to the Pole.
Thou know’st how guiltless first I met thy flame,

When Love approach’d me under Friendship’s name;

My fancy form’d thee of angelic kind,

Some emanation of th’ all-beauteous Mind.

Those smiling eyes, attemp’ring ev’ry day,

Shone sweetly lambent with celestial day.

Guiltless I gaz’d; heav’n listen’d while you sung;

And truths divine came mended from that tongue.

From lips like those what precept fail’d to move?

Too soon they taught me ’twas no sin to love.

Back through the paths of pleasing sense I ran,

Nor wish’d an Angel whom I lov’d a Man.

Dim and remote the joys of saints I see;

Nor envy them, that heav’n I lose for thee.
How oft, when press’d to marriage, have I said,

Curse on all laws but those which love has made!

Love, free as air, at sight of human ties,

Spreads his light wings, and in a moment flies,

Let wealth, let honour, wait the wedded dame,

August her deed, and sacred be her fame;

Before true passion all those views remove,

Fame, wealth, and honour! what are you to Love?

The jealous God, when we profane his fires,

Those restless passions in revenge inspires;

And bids them make mistaken mortals groan,

Who seek in love for aught but love alone.

Should at my feet the world’s great master fall,

Himself, his throne, his world, I’d scorn ’em all:

Not Caesar’s empress would I deign to prove;

No, make me mistress to the man I love;

If there be yet another name more free,

More fond than mistress, make me that to thee!

Oh happy state! when souls each other draw,

When love is liberty, and nature, law:

All then is full, possessing, and possess’d,

No craving void left aching in the breast:

Ev’n thought meets thought, ere from the lips it part,

And each warm wish springs mutual from the heart.

This sure is bliss (if bliss on earth there be)

And once the lot of Abelard and me.
Alas, how chang’d! what sudden horrors rise!

A naked lover bound and bleeding lies!

Where, where was Eloise? her voice, her hand,

Her poniard, had oppos’d the dire command.

Barbarian, stay! that bloody stroke restrain;

The crime was common, common be the pain.

I can no more; by shame, by rage suppress’d,

Let tears, and burning blushes speak the rest.
Canst thou forget that sad, that solemn day,

When victims at yon altar’s foot we lay?

Canst thou forget what tears that moment fell,

When, warm in youth, I bade the world farewell?

As with cold lips I kiss’d the sacred veil,

The shrines all trembl’d, and the lamps grew pale:

Heav’n scarce believ’d the conquest it survey’d,

And saints with wonder heard the vows I made.

Yet then, to those dread altars as I drew,

Not on the Cross my eyes were fix’d, but you:

Not grace, or zeal, love only was my call,

And if I lose thy love, I lose my all.

Come! with thy looks, thy words, relieve my woe;

Those still at least are left thee to bestow.

Still on that breast enamour’d let me lie,

Still drink delicious poison from thy eye,

Pant on thy lip, and to thy heart be press’d;

Give all thou canst–and let me dream the rest.

Ah no! instruct me other joys to prize,

With other beauties charm my partial eyes,

Full in my view set all the bright abode,

And make my soul quit Abelard for God.
Ah, think at least thy flock deserves thy care,

Plants of thy hand, and children of thy pray’r.

From the false world in early youth they fled,

By thee to mountains, wilds, and deserts led.

You rais’d these hallow’d walls; the desert smil’d,

And Paradise was open’d in the wild.

No weeping orphan saw his father’s stores

Our shrines irradiate, or emblaze the floors;

No silver saints, by dying misers giv’n,

Here brib’d the rage of ill-requited heav’n:

But such plain roofs as piety could raise,

And only vocal with the Maker’s praise.

In these lone walls (their days eternal bound)

These moss-grown domes with spiry turrets crown’d,

Where awful arches make a noonday night,

And the dim windows shed a solemn light;

Thy eyes diffus’d a reconciling ray,

And gleams of glory brighten’d all the day.

But now no face divine contentment wears,

‘Tis all blank sadness, or continual tears.

See how the force of others’ pray’rs I try,

(O pious fraud of am’rous charity!)

But why should I on others’ pray’rs depend?

Come thou, my father, brother, husband, friend!

Ah let thy handmaid, sister, daughter move,

And all those tender names in one, thy love!

The darksome pines that o’er yon rocks reclin’d

Wave high, and murmur to the hollow wind,

The wand’ring streams that shine between the hills,

The grots that echo to the tinkling rills,

The dying gales that pant upon the trees,

The lakes that quiver to the curling breeze;

No more these scenes my meditation aid,

Or lull to rest the visionary maid.

But o’er the twilight groves and dusky caves,

Long-sounding aisles, and intermingled graves,

Black Melancholy sits, and round her throws

A death-like silence, and a dread repose:

Her gloomy presence saddens all the scene,

Shades ev’ry flow’r, and darkens ev’ry green,

Deepens the murmur of the falling floods,

And breathes a browner horror on the woods.
Yet here for ever, ever must I stay;

Sad proof how well a lover can obey!

Death, only death, can break the lasting chain;

And here, ev’n then, shall my cold dust remain,

Here all its frailties, all its flames resign,

And wait till ’tis no sin to mix with thine.
Ah wretch! believ’d the spouse of God in vain,

Confess’d within the slave of love and man.

Assist me, Heav’n! but whence arose that pray’r?

Sprung it from piety, or from despair?

Ev’n here, where frozen chastity retires,

Love finds an altar for forbidden fires.

I ought to grieve, but cannot what I ought;

I mourn the lover, not lament the fault;

I view my crime, but kindle at the view,

Repent old pleasures, and solicit new;

Now turn’d to Heav’n, I weep my past offence,

Now think of thee, and curse my innocence.

Of all affliction taught a lover yet,

‘Tis sure the hardest science to forget!

How shall I lose the sin, yet keep the sense,

And love th’ offender, yet detest th’ offence?

How the dear object from the crime remove,

Or how distinguish penitence from love?

Unequal task! a passion to resign,

For hearts so touch’d, so pierc’d, so lost as mine.

Ere such a soul regains its peaceful state,

How often must it love, how often hate!

How often hope, despair, resent, regret,

Conceal, disdain–do all things but forget.

But let Heav’n seize it, all at once ’tis fir’d;

Not touch’d, but rapt; not waken’d, but inspir’d!

Oh come! oh teach me nature to subdue,

Renounce my love, my life, myself–and you.

Fill my fond heart with God alone, for he

Alone can rival, can succeed to thee.
How happy is the blameless vestal’s lot!

The world forgetting, by the world forgot.

Eternal sunshine of the spotless mind!

Each pray’r accepted, and each wish resign’d;

Labour and rest, that equal periods keep;

“Obedient slumbers that can wake and weep;”

Desires compos’d, affections ever ev’n,

Tears that delight, and sighs that waft to Heav’n.

Grace shines around her with serenest beams,

And whisp’ring angels prompt her golden dreams.

For her th’ unfading rose of Eden blooms,

And wings of seraphs shed divine perfumes,

For her the Spouse prepares the bridal ring,

For her white virgins hymeneals sing,

To sounds of heav’nly harps she dies away,

And melts in visions of eternal day.
Far other dreams my erring soul employ,

Far other raptures, of unholy joy:

When at the close of each sad, sorrowing day,

Fancy restores what vengeance snatch’d away,

Then conscience sleeps, and leaving nature free,

All my loose soul unbounded springs to thee.

Oh curs’d, dear horrors of all-conscious night!

How glowing guilt exalts the keen delight!

Provoking Daemons all restraint remove,

And stir within me every source of love.

I hear thee, view thee, gaze o’er all thy charms,

And round thy phantom glue my clasping arms.

I wake–no more I hear, no more I view,

The phantom flies me, as unkind as you.

I call aloud; it hears not what I say;

I stretch my empty arms; it glides away.

To dream once more I close my willing eyes;

Ye soft illusions, dear deceits, arise!

Alas, no more–methinks we wand’ring go

Through dreary wastes, and weep each other’s woe,

Where round some mould’ring tower pale ivy creeps,

And low-brow’d rocks hang nodding o’er the deeps.

Sudden you mount, you beckon from the skies;

Clouds interpose, waves roar, and winds arise.

I shriek, start up, the same sad prospect find,

And wake to all the griefs I left behind.
For thee the fates, severely kind, ordain

A cool suspense from pleasure and from pain;

Thy life a long, dead calm of fix’d repose;

No pulse that riots, and no blood that glows.

Still as the sea, ere winds were taught to blow,

Or moving spirit bade the waters flow;

Soft as the slumbers of a saint forgiv’n,

And mild as opening gleams of promis’d heav’n.
Come, Abelard! for what hast thou to dread?

The torch of Venus burns not for the dead.

Nature stands check’d; Religion disapproves;

Ev’n thou art cold–yet Eloisa loves.

Ah hopeless, lasting flames! like those that burn

To light the dead, and warm th’ unfruitful urn.
What scenes appear where’er I turn my view?

The dear ideas, where I fly, pursue,

Rise in the grove, before the altar rise,

Stain all my soul, and wanton in my eyes.

I waste the matin lamp in sighs for thee,

Thy image steals between my God and me,

Thy voice I seem in ev’ry hymn to hear,

With ev’ry bead I drop too soft a tear.

When from the censer clouds of fragrance roll,

And swelling organs lift the rising soul,

One thought of thee puts all the pomp to flight,

Priests, tapers, temples, swim before my sight:

In seas of flame my plunging soul is drown’d,

While altars blaze, and angels tremble round.
While prostrate here in humble grief I lie,

Kind, virtuous drops just gath’ring in my eye,

While praying, trembling, in the dust I roll,

And dawning grace is op’ning on my soul:

Come, if thou dar’st, all charming as thou art!

Oppose thyself to Heav’n; dispute my heart;

Come, with one glance of those deluding eyes

Blot out each bright idea of the skies;

Take back that grace, those sorrows, and those tears;

Take back my fruitless penitence and pray’rs;

Snatch me, just mounting, from the blest abode;

Assist the fiends, and tear me from my God!
No, fly me, fly me, far as pole from pole;

Rise Alps between us! and whole oceans roll!

Ah, come not, write not, think not once of me,

Nor share one pang of all I felt for thee.

Thy oaths I quit, thy memory resign;

Forget, renounce me, hate whate’er was mine.

Fair eyes, and tempting looks (which yet I view!)

Long lov’d, ador’d ideas, all adieu!

Oh Grace serene! oh virtue heav’nly fair!

Divine oblivion of low-thoughted care!

Fresh blooming hope, gay daughter of the sky!

And faith, our early immortality!

Enter, each mild, each amicable guest;

Receive, and wrap me in eternal rest!
See in her cell sad Eloisa spread,

Propp’d on some tomb, a neighbour of the dead.

In each low wind methinks a spirit calls,

And more than echoes talk along the walls.

Here, as I watch’d the dying lamps around,

From yonder shrine I heard a hollow sound.

“Come, sister, come!” (it said, or seem’d to say)

“Thy place is here, sad sister, come away!

Once like thyself, I trembled, wept, and pray’d,

Love’s victim then, though now a sainted maid:

But all is calm in this eternal sleep;

Here grief forgets to groan, and love to weep,

Ev’n superstition loses ev’ry fear:

For God, not man, absolves our frailties here.”
I come, I come! prepare your roseate bow’rs,

Celestial palms, and ever-blooming flow’rs.

Thither, where sinners may have rest, I go,

Where flames refin’d in breasts seraphic glow:

Thou, Abelard! the last sad office pay,

And smooth my passage to the realms of day;

See my lips tremble, and my eye-balls roll,

Suck my last breath, and catch my flying soul!

Ah no–in sacred vestments may’st thou stand,

The hallow’d taper trembling in thy hand,

Present the cross before my lifted eye,

Teach me at once, and learn of me to die.

Ah then, thy once-lov’d Eloisa see!

It will be then no crime to gaze on me.

See from my cheek the transient roses fly!

See the last sparkle languish in my eye!

Till ev’ry motion, pulse, and breath be o’er;

And ev’n my Abelard be lov’d no more.

O Death all-eloquent! you only prove

What dust we dote on, when ’tis man we love.
Then too, when fate shall thy fair frame destroy,

(That cause of all my guilt, and all my joy)

In trance ecstatic may thy pangs be drown’d,

Bright clouds descend, and angels watch thee round,

From op’ning skies may streaming glories shine,

And saints embrace thee with a love like mine.
May one kind grave unite each hapless name,

And graft my love immortal on thy fame!

Then, ages hence, when all my woes are o’er,

When this rebellious heart shall beat no more;

If ever chance two wand’ring lovers brings

To Paraclete’s white walls and silver springs,

O’er the pale marble shall they join their heads,

And drink the falling tears each other sheds;

Then sadly say, with mutual pity mov’d,

“Oh may we never love as these have lov’d!”
From the full choir when loud Hosannas rise,

And swell the pomp of dreadful sacrifice,

Amid that scene if some relenting eye

Glance on the stone where our cold relics lie,

Devotion’s self shall steal a thought from Heav’n,

One human tear shall drop and be forgiv’n.

And sure, if fate some future bard shall join

In sad similitude of griefs to mine,

Condemn’d whole years in absence to deplore,

And image charms he must behold no more;

Such if there be, who loves so long, so well;

Let him our sad, our tender story tell;

The well-sung woes will soothe my pensive ghost;

He best can paint ’em, who shall feel ’em most.

From an essay on man

Heav’n from all creatures hides the book of fate,

All but the page prescrib’d, their present state:

From brutes what men, from men what spirits know:

Or who could suffer being here below?

The lamb thy riot dooms to bleed today,

Had he thy reason, would he skip and play?

Pleas’d to the last, he crops the flow’ry food,

And licks the hand just rais’d to shed his blood.

Oh blindness to the future! kindly giv’n,

That each may fill the circle mark’d by Heav’n:

Who sees with equal eye, as God of all,

A hero perish, or a sparrow fall,

Atoms or systems into ruin hurl’d,

And now a bubble burst, and now a world.
Hope humbly then; with trembling pinions soar;

Wait the great teacher Death; and God adore.

What future bliss, he gives not thee to know,

But gives that hope to be thy blessing now.

Hope springs eternal in the human breast:

Man never is, but always to be blest:

The soul, uneasy and confin’d from home,

Rests and expatiates in a life to come.
Lo! the poor Indian, whose untutor’d mind

Sees God in clouds, or hears him in the wind;

His soul, proud science never taught to stray

Far as the solar walk, or milky way;

Yet simple nature to his hope has giv’n,

Behind the cloud topp’d hill, an humbler heav’n;

Some safer world in depth of woods embrac’d,

Some happier island in the wat’ry waste,

Where slaves once more their native land behold,

No fiends torment, no Christians thirst for gold.

To be, contents his natural desire,

He asks no angel’s wing, no seraph’s fire;

But thinks, admitted to that equal sky.

Sound and sense

True ease in writing comes from art, not chance,

As those move easiest who have learned to dance.

‘Tis not enough no harshness gives offense,

The sound must seem an echo to the sense:

Soft is the strain when Zephyr gently blows,

And the smooth stream in smoother numbers flows;

But when loud surges lash the sounding shore,

The hoarse, rough verse should like the torrent roar;

When Ajax strives some rock’s vast weight to throw,

The line too labors, and the words move slow;

Not so, when swift Camilla scours the plain,

Flies o’er the unbending corn, and skims along the main.

Hear how Timotheus’ varied lays surprise,

And bid alternate passions fall and rise!


See what delights in sylvan scenes appear!

Descending Gods have found Elysium here.

In woods bright Venus with Adonis stray’d,

And chaste Diana haunts the forest shade.

Come lovely nymph, and bless the silent hours,

When swains from shearing seek their nightly bow’rs;

When weary reapers quit the sultry field,

And crown’d with corn, their thanks to Ceres yield.

This harmless grove no lurking viper hides,

But in my breast the serpent Love abides.

Here bees from blossoms sip the rosy dew,

But your Alexis knows no sweets but you.

Oh deign to visit our forsaken seats,

The mossy fountains, and the green retreats!

Where-e’er you walk, cool gales shall fan the glade,

Trees, where you sit, shall crowd into a shade,

Where-e’er you tread, the blushing flow’rs shall rise,

And all things flourish where you turn your eyes.

Oh! How I long with you to pass my days,

Invoke the muses, and resound your praise;

Your praise the birds shall chant in ev’ry grove,

And winds shall waft it to the pow’rs above.

But wou’d you sing, and rival Orpheus’ strain,

The wond’ring forests soon shou’d dance again,

The moving mountains hear the pow’rful call,

And headlong streams hang list’ning in their fall!

But see, the shepherds shun the noon-day heat,

The lowing herds to murm’ring brooks retreat,

To closer shades the panting flocks remove,

Ye Gods! And is there no relief for Love?

But soon the sun with milder rays descends

To the cool ocean, where his journey ends;

On me Love’s fiercer flames for every prey,

By night he scorches, as he burns by day.

The riddle of the world

Know then thyself, presume not God to scan

The proper study of Mankind is Man.

Placed on this isthmus of a middle state,

A Being darkly wise, and rudely great:

With too much knowledge for the Sceptic side,

With too much weakness for the Stoic’s pride,

He hangs between; in doubt to act, or rest;

In doubt to deem himself a God, or Beast;

In doubt his mind and body to prefer;

Born but to die, and reas’ning but to err;

Whether he thinks to little, or too much;

Chaos of Thought and Passion, all confus’d;

Still by himself, abus’d or disabus’d;

Created half to rise and half to fall;

Great Lord of all things, yet a prey to all,

Sole judge of truth, in endless error hurl’d;

The glory, jest and riddle of the world.

Universal prayer

Father of all! In every age,

In ev’ry clime ador’d,

By saint, by savage, and by sage,

Jehovah, Jove, or Lord!
Thou Great First Cause, least understood,

Who all my sense confin’d

To know but this, that Thou art good,

And that myself am blind:
Yet gave me, in this dark estate,

To see the good from ill;

And, binding Nature fast in Fate,

Left free the human Will.
What Conscience dictates to be done,

Or warns me not to do;

This teach me more than Hell to shun,

That more than Heav’n pursue.
What blessings thy free bounty gives

Let me not cast away;

For God is paid when man receives;

T’ enjoy is to obey.
Yet not to earth’s contracted span

Thy goodness let me bound,

Or think thee Lord alone of man,

When thousand worlds are round.
Let not this weak, unknowing hand

Presume thy bolts to throw,

And teach damnation round the land

On each I judge thy foe.
If I am right, thy grace impart,

Still in the right to stay;

If I am wrong, O teach my heart

To find that better way.
Save me alike from foolish Pride

Or impious Discontent,

At aught thy wisdom has denied,

Or aught that goodness lent.
Teach me to feel another’s woe,

To right the fault I see:

That mercy I to others show,

That mercy show to me.
Mean tho’ I am, not wholly so,

Since quicken’d by thy breath;

O lead me whereso’er I go,

Thro’ this day’s life or death!
This day be bread and peace my lot:

All else beneath the sun

Though know’st if best bestow’d or not,

And let Thy will be done.
To Thee, whose temple is of Space,

Whose altar earth, sea, skies,

One chorus let all Beings raise!

All Nature’s incense rise!